Complex Clothing

All images are complexgeometries Fall Winter 2010

I just don’t understand how certain Canadian fashion brands manage to stay out of my radar. I feel like I have a pretty good idea of what is going on in the fashion world, and I always pay extra attention to Canadian brands, but sometimes I just miss some completely. Complexgeometries is one those brands, and I’m guessing I didn’t catch on to it because they don’t exactly advertise the fact that they are Canadian. Which brings me to an interesting point, what does being “Canadian” do to a fashion brand? I imagine in Canada, it is a good thing, as people like to buy locally. But on the other hand, there are a lot of people here who prefer to buy European brands (in fact, there seems to be a major issue in Vancouver when it comes to the arts, people only seem to support Canadians that have made it big somewhere else first. Not very nice at all.) What about internationally? How does “Canadian” resonate amongst other countries when it comes to fashion.

When I think French fashion brand, I think luxury and classic. Italian means sexy. British means edgy. American means luxury sportswear. Japanese and Korean mean intellectual and angular. So does Belgian fashion. Spanish means colours. Brazilian means brighter colours and bikinis. Australian means summery and effortless. So where does Canadian fashion fit in? And please don’t say activewear, because Canadians and especially the West Coast needs to get away from this image of fashion=activewear.

Anyway, back to complexgeometries. This brand has been founded by a self-taught fashion designer, Glayton Evans, who was born in Northern Canada (Fairview, Alberta to be exact.) The brand is based in Montreal, and the clothes are sold in some pretty amazing boutiques around the world, including B Store in London and Revolve Clothing (of course, no stockists in Vancouver.) Here are some pictures from the Fall Winter 2010 collection, entitled “in search of truth.” The collection was inspired by “the shrouded garb of religious ceremony” and keeps with the brand’s “continued fascination with the dissembling that is intrinsic to fashion.” I call it gorgeous draped jerseys and if this is the kind of thing we can call representative of “Canadian fashion,” then I am satisfied.

All images and quotes courtesy of complexgeometries.

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  • http://obscenitieswithwealth.blogspot.com/ Liz

    You bring up a really good discussion topic
    when I think of Vancouver style, it jumps immediately to my least favourite looks:
    Ed Hardy, TNA tracksuits and the “green” trend: earth-friendly casual clothes that focus too much on being “natural” It's difficult to find a Vancouver designer that can compete with international brands for sure though.
    Canadian fashion is hard to explain. I think it definitely depends on which part of the country the designer grew up in and who they want their client to be. I agree with you when it's not fair that Canadian designers have to become big somewhere else first. I think it would help if they opened chains of stores within Canada first rather than just in the city they're based in. Not really a designer but isn't that how Lululemon got started?
    I'm not a huge fan of Dsquared but it seems Jeanne Beker really supports the Caten twins and the brand is fairly reputable

  • alexandrasuhnerisenberg

    Interesting points, Liz. I don't really count DSquared2 as Canadian, since they are based in Milan, and they would have never made it had they stayed in Canada.
    You are unfortunately right about Ed Hardy and TNA tracksuits, I was at Cirque de Soleil last week and I say a girl wearing tiny jersey shorts, a see through tank top, as ports bra, and runners. It was like she;d walked out of a bikram class. It was depressing (I'll post a photo this week.)
    We need more brands like Obakki to set the tone for this city. And I am optimistic, Vancouver is changing, and I have high hopes for the future.